Play Along Piano

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SDG

God so loved the world, John Stainer, from the Crucifixion. John 3:16.

SDG

4:00	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T B		21	0	6	7	99%
S A		20	0	6	7	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T B		21	0	6	7	99%
S A		20	0	6	7	98%

O holy night, the stars are brightly shining, Cantique de Noel.

SDG

4:01	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	5	3	6	100%
Tenor/Bass		15	6	2	6	100%
Contrabass		10	2	1	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	5	3	6	100%
Tenor/Bass		15	6	2	6	100%
Contrabass		10	2	1	6	50%

Er is een kindeke geboren op aard'. Oud Hollands kerstlied. Orgel, sampleset Giubiasco, by Piotr Grabowski. Arrangement: Gertim (SDG).

SDG

4:30	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		14	0	3	6	100%
Contrabass		20	0	1	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		14	0	3	6	100%
Contrabass		20	0	1	5	100%
Flute		19	0	4	5	100%
S A		19	0	4	5	100%
T B		25	0	4	6	100%

Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

Panis Angelicus, César Franck.

SDG

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
Organ		12	6	3	5	80%
Harp		21	39	5	2	60%
		35	41	10	2	68%
Voice		8	0	1	7	67%
		8	0	1	7	67%
		8	0	1	7	67%
Violoncello		11	0	2	8	59%

In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.

SDG

3:35	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir		14	0	1	6	66%
Tenor/Bass		17	0	1	6	66%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Choir		14	0	1	6	66%
Tenor/Bass		17	0	1	6	66%
Organ		16	31	1	5	63%
Pedal		12	0	0	6	54%
Bassoon		12	1	0	5	44%
Soprano		10	0	1	6	22%
Tenor		10	0	1	6	22%

ShermetevNinye

SDG

3:20	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	39	8	6	100%
Tenor/Bass		21	14	8	6	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		19	39	8	6	100%
Tenor/Bass		21	14	8	6	98%

Jesu meine Freude, BWV 753 with completion, Giubiasco sampleset.

SDG

3:20	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		17	0	5	8	100%
		23	0	7	6	96%

Hark! the Herald Angels Sing (my arrangement). Complete, special version, with tenor and alto singing the melody, stanzas 1-4, SATB.

SDG

3:40	Est. Play Time
85	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		20	0	6	4	100%
Voice		21	1	5	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		20	0	6	4	100%
Voice		21	1	5	4	100%

Cantique de Jean Racine. Gabriel Fauré. Op. 11. Giubiasco sampleset.

SDG

4:35	Est. Play Time
89	Measures
	1,103Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

Der Herr ist mein Hirt, Bernard Klein, male choir with piano accompaniment.

SDG

4:20	Est. Play Time
93	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano forte		18	37	4	5	97%
		25	57	7	4	100%
Basso II		13	0	5	4	97%
Basso I.		9	0	3	5	96%
Tenore I		11	0	2	6	96%
Tenore II		10	0	2	4	96%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I		14	0	2	9	100%
Alto II		12	0	2	9	98%
Tenor I		14	0	2	7	95%
Soprano II		14	0	2	8	93%
Tenor II		12	0	2	9	93%
Bass I		12	0	1	9	91%
Soprano I		15	0	2	9	91%
Bass II		14	1	1	8	89%

5. Der Lindenbaum, die Winterreise, Schubert, original setting.

SDG

5:24	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Right Hand		27	32	11	10	100%
Piano, Left Hand		23	23	4	10	89%
Voice		11	0	3	7	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Right Hand		27	32	11	10	100%
Piano, Left Hand		23	23	4	10	89%
Voice		11	0	3	7	76%

Panis Angelicus, Original. César Franck. Best with headphones on! Het beste met koptelefoon/hoofdtelefoon op te beluisteren.

SDG

3:39	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	6	6	6	100%
Pedal		18	0	6	6	92%
Organ		12	6	3	5	80%
Harp		21	39	5	2	60%
		35	41	10	2	68%
Voice		8	0	1	7	67%
		8	0	1	7	67%
		8	0	1	7	67%
Violoncello		11	0	2	8	59%

Cantique de Jean Racine, Gabriël/Gabriel Fauré, with GrandOrgue recording, sampleset Giubiasco. Best version of the ones I uploaded! Listen with headphones on!

SDG

4:35	Est. Play Time
89	Measures
	1,062Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe		32	9	10	6	96%
Flute		25	9	9	6	89%
Pedal		17	0	5	4	87%
Bass		16	0	5	8	76%
Tenor		15	0	5	6	73%
Alto		14	0	5	6	64%
Soprano		14	0	3	6	57%

Gott sei mir gnädig dieser Zeit, WoO 50, Josef Rheinberger

SDG

4:17	Est. Play Time
103	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso		19	0	6	4	98%
Soprano II		18	0	7	5	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso		19	0	6	4	98%
Soprano II		18	0	7	5	97%
Alto		17	0	6	4	96%
Tenore II		17	0	5	4	88%
TENORE I		15	0	5	4	84%
Soprano		14	0	4	4	72%

Tuba mirum spargens sonum, Requiem Mozart, KV 626.

SDG

3:26	Est. Play Time
63	Measures
	1,101Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso		21	0	7	6	90%
Violino I.		25	1	10	5	89%
View all 24 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Violoncello e] Basso		21	0	7	6	90%
Violino I.		25	1	10	5	89%
Violino II.		18	2	5	5	89%
Contrabass		20	0	6	6	83%
Viola I, II.		19	7	6	5	79%
Tenore solo		13	0	5	7	45%
Basso solo		18	0	5	8	41%
Soprano solo		9	0	2	6	32%
Tenor		13	0	5	7	30%
		13	0	5	7	30%
		13	0	5	7	30%
Alto Solo		12	0	4	7	27%
		12	0	4	6	11%
Bass		16	0	3	8	25%
		16	0	3	8	25%
		16	0	3	8	25%
Trombone		16	0	4	6	25%
		16	0	4	6	25%
Trombone [tenore] solo		16	0	4	6	25%
Soprano		9	0	2	5	16%
		9	0	2	5	16%
		9	0	2	5	16%
Alto		12	0	4	6	11%
		12	0	4	6	11%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)		21	0	6	3	100%
Contrabass		21	0	6	3	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)		21	0	6	3	100%
Contrabass		21	0	6	3	100%
Oboe		22	0	7	6	98%
		17	0	4	6	95%
Strings I		22	0	7	6	98%
Violin I, Oboe I		22	0	7	6	98%
Viola		20	0	6	4	95%
Violin II, Oboe II		17	0	4	6	95%
Bass		17	0	5	9	68%

The Trumpet shall sound (Messiah, Händel), Bass aria.

SDG

7:37	Est. Play Time
215	Measures
	2,501Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		23	105	5	7	98%
		23	5	5	7	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		23	105	5	7	98%
		23	5	5	7	99%
Bassi		21	0	5	7	99%
Bassoon		21	0	5	7	99%
Violoncello		21	0	5	7	99%
Bass		16	0	4	8	70%
		16	0	4	8	70%
(Basso)		16	0	4	8	70%
Tromba.		9	0	1	7	64%
Viola		14	0	1	6	52%
Violino I.		14	0	1	6	52%
Violino II.		11	0	1	6	52%

5. Der Lindenbaum, Schubert. For low voice. Für tiefe Stimme. Fast version!!

SDG

5:24	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Right Hand		27	32	11	10	100%
Piano, Left Hand		23	23	4	10	89%
Voice		11	0	3	7	76%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Right Hand		27	32	11	10	100%
Piano, Left Hand		23	23	4	10	89%
Voice		11	0	3	7	76%

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